After 3 hours of music and a much needed public service announcement on domestic violence, the Recording Academy decided to end the show with a selfish lobbying effort to create tougher copyright laws. By starting the Creators’ Alliance (dubbed #GrammyAlliance for Twitter), the Recording Academy placed itself strongly on the side of major record labels against the recording artists who constitute the bulk of the Recording Academy members. Continue reading
Album sales are down. But that really isn’t the point. Albums were the logical result of the available recording technology. At first, recorded music was limited by the “brevity dictated by the size of the shellac plate.” In other words, the length of a song was limited to the length of a side of a 78-rpm record, which for a while was about 3 minutes. The album only developed as a concept with the 33 1/3-rpm LP record, which could initially hold 22 minutes of music per side. Rather than lengthening a song, record companies began bundling 3 minute songs together in the form of an album. With digital music, it does not necessarily make sense for record labels to produce albums if they can release digital tracks. Continue reading
A new book by a UT Arlington assistant professor reveals how large corporations exploited new technologies to maintain their stranglehold on the music industry.
David Arditi, an assistant professor in Interdisciplinary Studies, wrote “iTake-Over: The Recording Industry in the Digital Era,” published by R&L Publishers. It will hit shelves Dec. 5.